![]() The background behind them suggests a stage set, while their gaze might be looking out to an audience beyond. In this painting, Picasso situates two boys in contrasting costumes side-by-side, while the taller, elder figure gently rests a supportive hand on the younger boy’s back. Their life fascinated Picasso so much that he returned to this subject again many times during his later career. ![]() He was fascinated by their nomadic lifestyle, and he even saw glimmers of himself in these curious creative people, who lived a life outside mainstream society. I have never seen Picasso laugh so much.” After their performances, Picasso would socialize with the ‘saltimbanques’, or travelling circus performers. His mistress of the time, Fernande Olivier said they “would go there three or four times a week. Picasso made this tenderly observed double portrait as a tribute to the nearby Cirque Medrano, which fascinated him as a young man. Acrobat and Young Harlequin, 1905 Pablo Picasso, Acrobat and Young Harlequin, 1905, via National Endowment for the Humanities The Actor, 1904 is typical of Picasso’s early Rose Period, documenting a slim, emaciated young actor caught rehearsing behind the scenes, dressed in a rose-pink leotard.Ģ. By contrast, the Rose Period is more spirited and optimistic, capturing entertainers and performers in quiet moments of respite, painted in warm, rustic and naturalistic tones. But in his Blue Period Picasso painted extreme poverty and despair in melancholic shades of blue. Much like his earlier Blue Period, Picasso centered on portraits of ordinary working people. It was a formative time for the young, struggling artist, who had moved to the lively and cultured area of Montmartre, populated by colorful, eccentric creatives including actors, circus performers and dancers. Picasso’s Rose Period began in around 1904. The Actor, 1904 Pablo Picasso’s Rose Period painting, The Actor, 1904, via New York Times
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